Tag Archives: Movies

I’ve figured it out….

I love Joss Whedon.
I idolize Aaron Sorkin.
I just don’t get Kevin Smith.

Or, put differently:

I want to hang out with Joss Whedon.
I want to *be* Aaron Sorkin.
Kevin Smith is the guy that shows up at the game cause he’s friends with someone else, and I can’t tell him to leave.

The Bret Michaels of Terminator Films

Official Movie PosterYou know like, “every rose has its thorns” or “man, I didn’t age well but I still look better than Vince Neil.” Kinda like Terminator Salvation feels a lot like the disappointment from Revenge of the Sith and a lot less like Alien Versus Predator. Hey, I’m trying to find somewhere nice to start because Henry covered the beatdown.

Spoilers fall like rain below.

****

Okay, this film isn’t good, but I could taste the hint of a decent film beneath some of the mistakes. The problem arises from how lazy the mistakes were. I contend that if they had taken the time to fix just six mistakes, T4 had more than enough in it to live up to the first two films. That said, lazy filmmaking is the difference between Terminator and Krull.

So, six points that would have made this film work for me:

Is that Michael Ironside out acting your A-list lead?

I’ve loved Michael Ironside since V, and it was great seeing him reunite with CGI Schwarzenegger for the first time since Total Recall. That said, holy cow how badly did Bale have to mail in his scenes to get out acted by a C-list baddie from the 80s? I understand that this film seemed to be more about Marcus, but Connor hasn’t been so secondary in a film since appearing as an embryo in the original Terminator. Seriously, his best emoting came from Linda Hamilton’s voice tapes. How hard would it have been to find an actor who cared enough to try?

Can we find something smaller than a metal beam to stab John Connor with?

Not sure what else to say here. Even in Hollywood, if you’re human and stabbed by a full-sized beam of metal, that’s it. Game Over. Would it have been so hard to have stabbed him with a piece of metal mangled into a pointy tip instead? Really?

I’d like a side of subtlety with my power of the human heart analogy, please.

This analogy fits the series, but we don’t need it served up with actual dialog. The Terminator has a heart. That’s enough right there. We get it. Please stop.

Doesn’t a war movie need casualties?

Can you name a war movie where none of the leads die? Sure, we presume Marcus does, but we don’t see it. Michael Ironside doesn’t count because we aren’t supposed to care about him. I mean he’s only the leader of resistance. In the end, for all the chatter, this isn’t a war movie because there are no casualties that bring it home.

To really make this point, consider that such light-weight fare as Independence Day killed the president’s wife, the hillbilly pilot, and Houston. Salvation didn’t even have the conviction to singe Blair’s hair in a rocket launcher explosion.

Is there a reason Kyle’s still alive? Beyond the fact that you can’t let him die, I mean.

Why even have Skynet find him? Let him stay hidden. Because once Skynet finds Kyle and doesn’t put a bullet in his brain we’re suddenly in 70s bond villain territory.

Maybe we should avoid allowing our homage list to take us into Airplane! territory

Henry covered this well, and I did love some of the film’s references. Fighting the top half of a terminator, Guns and Roses playing, and even the harvesters worked a hundred times better in this movie than in War of the Worlds, but these things pile up quick. Pick a couple and let it go. I mean why do you need a Newt character when you’ve eliminated the tradition of a strong female role from the movie? At the point where people think your electric eels are an homage to The Princess Bride, you might as well have Shatner replace Michael Ironside.

You think Ironside’ll appear in the new V series? You can bet I’d post about that.

Anyway, if you fix those elements, you have a decent enough film going on here. Chekhov keeps the imitation train going from Star Trek with a dead on Kyle Reese impersonation. The Marcus character seems a natural evolution of the humanization of the terminator concept (so long as you stop “beating” us over the head with his Wizard of Oz-like heart metaphor). And the idea that we have to go back to the future to get some good ole fashioned T-800 action warmed my heart–which beats with the inimitable strength of my irreplaceable humanity, just so you know.

I didn’t hate this film like I thought I would. I loved parts of it: Connor listening to the tapes, CGI Arnie throwing down, the GnR reference, and Michael Ironside. But that just made all the fixable mistakes so much more painful, especially given just how lazy they felt. I wouldn’t mind another film, I just hope a little bit more heart goes into it.

Terminate this: Salvation and McSuck

You know, as a card-carrying pinko-commie-hippie-liberal, I’m all for recycling.  Green planet and all that.

Which must mean that McG is Al Gore’s BFF, because I will be damned if I can think of a sci-fi movie he DIDN’T rip off in putting together Terminator: Salvation. Continue reading

Star Trek: Not All That.

Saturday I was talked into seeing the new Star Trek movie by my girlfriend and two of our friends who had already seen it. I saw a trailer a while back and thought, “That looks sorta cool,” but that’s as far as my thoughts on the movie went. I’m not a Trekkie. I was too young to enjoy the original series, and not interested enough to enjoy TNG. DS9 and Voyager didn’t do much for me and I quickly lost interest in both for different reasons. I tried the pilot of Enterprise and did not enjoy it. The movies were either mind-blowingly bad (I’m looking at you, Time Traveling To The 80s Whale Movie) or extended episodes that tried too hard.

But that’s ok, there’s nothing to say that by being a geek I *must* like Star Trek.

A bunch of my friends watched the reboot of the Trek franchise on Thursday and Friday and they gushed so much I was afraid they might start leaking. It currently enjoys the insane Rotten Tomatoes freshness rating of 95%. So I figured that the reboot must be doing something right. I was willing to give the movie a chance, my girlfriend didn’t exactly need to twist my arm to get me to agree to watch it.

So let me start with the good: Lots of in-jokes and fan service for the Trekkies. Lots of references for enthusiasts of the various series. Lots of explosions. Lots of fights where Kirk gets the shit kicked out of him. (Seriously… He doesn’t win a single damn fight and I bet his ribs were broken by the end of the movie.) And Simon Pegg is excellent in everything he does. Even when he was an extra on Land of the Dead.

The bad: The majority of the drama was built using an uber-dramatic score, a hand held camera to give everything that “realistic” look, and blurred out pans to other actors for reaction shots instead of cuts. The bad guy was a plot device that was forgettable other than using him as a method for getting the crew together. New Spock – total douche. New Bones had some great moments but his “Damn it, I’m a doctor not an X,” lines were pretty ham-handed. (The ham-handed scene was pretty fucking funny, though.) The opening scene with a pregnant woman being wheeled past explosions as she was going into labor was funny and lame – I kept imagining studio execs scribbling all over the script and saying, “We need to raise the stakes!”

I did like the movie. It was entertaining. The action was fun, if over the top. I just don’t think it was the second coming of Star Wars like people are saying. The reboot will end up making enough cash that a sequel is guaranteed, and I’ll watch it. But this wasn’t a movie I feel a desperate need to own or watch again.

I secretly enjoy Pride & Prejudice.

There. I’ve been outed.

I was never exposed to Austen as a child. My first real introduction to Pride & Prejudice was through a girl I had something of a crush on; her sister informed me it was her favorite movie, and I purchased the BBC mini-series DVD set for her as a present. This act is probably directly related to our now being married, so I suppose I owe something akin to gratitude to the work. My wife, like countless others I’ve since met, loves Colin Firth’s Mr. Darcy. Bridget Jones’s Diary would not have made sense at all had I not known about this particular fascination that many people seem to have.

I suppose she enjoys Jennifer Ehle’s Elizabeth Bennett as well, but I must say that I’ve heard about her less. ^_-

At any rate, the work has grown on me. I’ve seen the BBC version many times (albeit never at my own behest), as well as the newer movie and the original 1940 version, which has its own charms. I even went so far as to read the book. ^_^ Recently, though, the magic of the public domain has caused another book to be written. Credited to Jane Austen and Seth Grahame-Smith, it proclaims itself: The Classic Regency Romance – Now with Ultraviolent Zombie Mayhem! Pride and Prejudice and Zombies arrived at my door yesterday, so I’ll let everyone know how it holds up soon.

Out of the closet basement theater and into the streets

The way I figure it, one has to be hardcore geek about something if they’ll agree to wear a fur coat for it.  In Texas.  In August.

Granted it was for a job, and only the second one I’d ever had, but I still think it says something.  I’d begun working at the discount/second run movie theater that was about 10 minutes from home the fall after I’d turned 16.  It happened to be a Cinemark theater that had been closed for the summer as it expanded from two screens to four.  For the grand opening weekend, they were making a big to-do with balloons, big advertisements…and the Cinemark corporate mascot Front Row Joe out front to greet the kids.

Sadly, ordering the costume from the corporate office didn’t mean corporate also provided a shmuck to wear the damn thing in 98-degree temperatures with 60% humidity.  Which is how I wound up in the suit that first Friday afternoon.  As miserable as the experience was (one friend told me afterwards by the end of the day I was the most lethargic costumed figure he’d ever seen), there were three things about the experience I am thankful for to this day:

1)    That as a weight loss program, it was quick and effective.  I’m pretty sure I lost at least 10-15 pounds sauna style, and being the first person to wear it that weekend, I didn’t have to endure what it must have smelled like by the end of that weekend;

2)    The job was the first I had to provide me free movies as perk.  This would be akin to a drug dealer giving one of his pushers a free ounce of cocaine for every ten he sold;

3)    Because the Internet didn’t exist, I would not have any knowledge of what furries are for another 15 years.  As such, I wasn’t irreparably traumatized at the consideration of what might have been done with/in/on that suit before it came to our theater, and only have to endure the odd shiver down my spine as I consider that time in my life.  Though I must admit typing the previous paragraph leaves suddenly in desperate need for a hot shower to wash away tainted nostalgia.

I digress.

Movies have been the go-to entertainment choice for my family for as long as I can remember.  My parents simply don’t typically do culture on any level outside of that, and within cinematic territory they are almost disturbingly mainstream.  As such, my childhood consisted of a steady diet of celluloid junk food, though some of the classics did manage to sneak their way in.  But for the most part, if it was in the top 10 box office figures for a given year between 1980 and 1990, chances are good I saw it, possibly with my folks.

(Related nostalgia point: nothing is as surreal as listening to your typically uptight Catholic Hispanic mother talking with awe and wonder at the sight of Mel Gibson’s ass after seeing the first Lethal Weapon.  And now I’ve got material for therapy…)

Coming to college and continuing to work in movie theaters helped broaden my tastes and interests.  More genres were readily available to me, piquing my curiosity to explore unheard of names that would become favorites.  I owe an old friend from high school more than he’ll ever know for introducing me to Akira Kurosawa at UT’s Hogg Auditorium.  But couple of funny things happened on my way to full-blown movie geekdom.

I became a repository for a ridiculous amount of useless movie trivia.  I’m particularly skilled it seems at freaking people out by remembering whole scenes from films verbatim, or pulling the title out of thin air from a description as vague as, “It had Kevin Bacon in it and they were doing this thing…”

And I developed (in my mind at least) a reputation as being that guy.  The cranky ijit in the back of the theater muttering under his breath about derivative plot twists and uninspired direction.  How I’ve read better lines in fortune cookies.  You know the drill.

Sometimes it’s hard to remember to stop and dislodge the film can up my ass and remember that is, in the end all just entertainment.  That funny means different things to different people, and that not all people take the same thing away from the same movie.  I have a long celebrated two-hour argument over Fight Club to remind me of that, if nothing else.

And yet, sometimes I feel like declaring yourself a “geek” becomes a cop-out excuse to turn your brain off and blindly accept whatever gets put in front of you without any dialogue or independent thought at work on any level.  Harry Knowles of Ain’t It Cool News probably did as much or more to mainstream film geekery as anybody, and for that I will always be thankful.  

That said, reading his gushing praise of Indiana Jones and the Kingdom of the Crystal Skull made me think that if Spielberg presented Knowles a shit sandwich to eat, Harry would produce a column that gushed over the shade of brown the shit he consumed was and thanking George Lucas for trimming the crusts off just the way he likes it.

I think geekery can be more discerning than that.  Whether that’s true or not is something we’ll be able to discuss in these pages over time.

Enough with the previews.  Fire up the projector.